Wednesday, 13 August 2014

Fantastic Four (2005)



Fantastic 4 (2005)


Release Date: July 8, 2005

The Fantastic Four are the next heroes to make the transition to film (they would have come a decade earlier, but that was film was made only to keep the rights and never intended to be released.) However, the foursome tried to pull a fast one on Trading Standards, as the title is only half accurate. Unfortunately, the second half of the title is the accurate one.

This movie wastes no time in kicking things off as soon as possible. Genius scientist Reed Richards pitches a space expedition to corporate executive Victor Von Doom (with a name like that, you’ll be surprised to hear that he is in fact a pillar of the community, spending his Wednesdays feeding the homeless at the soup kitchen and reading to sick children at the hospital.) The experiment is to study a solar flare in order to see how this could be used to alter DNA for better health and so on. Doom agrees to the proposal and puts together a team consisting of himself, Reed, Reed’s friend Ben Grimm, Doom’s secretary (and Reed’s ex) Susan Storm and her younger brother Johnny. Doom has the hots for Susan himself, and dislikes Reed, so he removes the protective shielding on the space station to show Susan the world, before asking for her hand in marriage. Before he gets the chance to pop the question however, Reed cockblocks Doom to announce that the solar flare arrived ahead of schedule, and that Ben is currently outside the space station. Doom wants to lock Ben out and save everyone else, but he is outvoted and Ben is saved, at the cost of the solar flare hitting everyone without the shield.

Back on Earth, the group find that they have been mutated by the solar flare. Reed can now stretch his body, Susan can turn invisible and Johnny can set himself on fire without injury. Ben has it harder, as he has mutated into a giant rock monster. Unlike the others, he can’t hide his mutation or switch it on and off, and his horrified girlfriend dumps him when she sees what he has become. Ben accidentally causes a catastrophe on a bridge while saving a suicidal man, which results in the other three outing themselves to stop a fire engine from falling off the side of the bridge. The group are hailed as heroes, and Johnny plays to the cameras, being the attention whore he is, coming up with the name of their group, the Fantastic Four, and names for each of the members- the Human Torch for himself, Reed is Mr Fantastic, Susan is the Invisible Girl, and Ben is the Thing. The latter two are not happy with their names.

Doom isn’t too pleased either, as the space disaster has caused his company to go bankrupt, and he blames Reed for coming up with the idea (RICHARDS!!!!). In addition, he seemed to be okay at first, but in the days following the solar flare, he’s starting to get little cuts on his face, and electrics are flickering in his presence… The Fantastic 4 lock themselves away in Reed’s lab, the Baxter Building, as Reed works to invent a machine to undo their transformation, because Ben understandably wants to go back to normal, while Reed and Sue aren’t too thrilled either. However, Johnny wants to keep his powers, and gets agitated being cooped up in the lab all day. He eventually sneaks out to show off at a sporting event, prompting a fight between him and Ben. Sensing Ben’s growing impatience, Reed, who is usually cautious to the point that Susan dumped him over it, tests the machine on himself, but it doesn’t work as there isn’t enough energy powering the machine. Instead, the left half of Reed’s body droops. (This scene is going to be so awkward if Ioan Gruffudd ever suffers a stroke.)

By now, Doom has mutated to the point that his body has turned into metal, and his face has been covered in scars, so he puts on the iconic metal mask. He is also able to absorb electricity and fire Sith Lightning from his hands. Doom starts to put his revenge plan in motion. Phase one is to turn Ben against Reed by telling him that Reed is getting back together with Susan when he should be working. Phase two is for Doom to power the machine himself, which successfully turns Ben back to normal, and then beat Ben up.

 
With Ben out of the way, Doom is able to incapacitate the rest of the Fantastic Four. All seems lost when Ben arrives to save the day! Having met and fallen in love with a blind woman prior to Doom messing with his head, Ben had decided to use the machine again to go back to his rock form. The Fantastic Four work together to combine their powers and defeat Doom. The Four come to accept their new abilities, and Reed asks Susan to marry him, which she accepts. Meanwhile, the frozen Doctor Doom is put in a shipping crate and sent back to his home country of Latveria, where he is to be examined by top men.

 
In the group, we have characters on both extremes of likeability. On one side is the Thing, who is easily the best part of the film. As the member whose physical appearance is changed from the experience, Ben’s attempts at coming to terms with what happened form the emotional core of the film. Scenes of him trying to perform mundane everyday tasks like dialling a phone number or drinking serve to remind us of the struggle he faces. A big part of the emotion comes from the character being a costume instead of CGI, as was originally planned. Michael Chiklis was a big fan of the Thing and insisted on a costume and make-up instead of voicing a CG character. This decision makes a world of difference. It also helps that the costume looks pretty good. For this, Michael Chiklis gets a gold star.


On the other hand is Johnny Storm, the Human Torch. He is young and reckless, which gets him into trouble a few times. He doesn’t think before he acts and his insensitive, shallow behaviour makes him come off as unlikeable at times. This is particularly problematic in his interactions with the Thing, which is presumably intended as playful teasing but usually comes off as being mean-spirited. There are times when the teasing is pretty funny though, so it’s hard to stay mad at him for long.

Less successful is the villain. Doctor Doom is pretty lame here. In the film, he becomes a weaker version of Norman Osborn, instead of being a character in his own right. This is disappointing, as Doom is one of the great comic villains. A genius scientist and wizard, who is the dictator of his own country with an army of robots, Doom is extremely arrogant to the point that he speaks in the third person, yet manages to come off as classy and intimidating instead of stupid like most characters who refer to themselves in the third person. The film unfortunately fails to convey his grandiose nature, which makes him such a joy elsewhere. This was probably done intentionally, in order to ground the villain in reality a little more, but I think that with the relatively light tone of the film, they could have gotten away with making Doom a bit hammier. I imagine if Doom were to watch this film, he would be most displeased at his portrayal.

One of the main criticisms against the film when it was released was that the Fantastic Four don’t do a whole lot of superhero things. The only major instances are the bridge rescue (an incident that the Fantastic Four accidentally caused,) and the battle against Doctor Doom at the end. The rest of the film is dedicated to the four coming to terms with how they’ve changed. I actually didn’t mind this, as it made for a nice change. It’s also fairly well done with the Thing, so points for that too. One element that is pushing its luck in terms of characterisation is the scenes where the team members fight each other. While it can plausibly happen in the context of the film given how the characters are portrayed, the Fantastic Four are a family. While they do argue occasionally, they’ve never come to blows over it, and seeing that in a film feels a little bit wrong, like Superman breaking General Zod’s neck.

Yes, I am still mad at you, Man of Steel. I am madder than you could possibly imagine.

The effects are a mixed bag. On some occasions they look quite good, Doctor Doom’s electricity for example. Other effects are not as good, such as Reed’s stretching, which looks rather creepy. Then again, I don’t know how stretching powers could be done in live action without being creepy since it involves contorting the human body into shapes and sizes that are impossible in real life, so I won’t rail on it too much. Maybe I’m just a squeamish softie who needs to get over myself. I sang the praises of the Thing’s costume earlier, and that was the right decision to make. What if they had stuck to the original plan of a CGI Thing, and it ended up looking bad?

Overall, this film is average. It isn’t particularly good but it’s not awful either. The really positive things and the really negative things cancel each other out. This isn’t a film to actively hunt down, but it may be worth a look if it happens to be on television or something.

Next Time: Xpecting a sequel? You would be right to do that.

Stan Lee Spotter: Stan Lee appears as Willie Lumpkin, the Fantastic Four’s mailman. This is the first time he’s played a character from the comics in one of his cameos.

Thursday, 7 August 2014

Elektra (2005)



Elektra (2005)

 
Release Date: January 14, 2005

We now return to our regularly scheduled programming after the Groot-based silliness of the Guardians of the Galaxy “review”. (It may not have been of any use, but it was spoiler-free…) “From the forces that brought you X-Men!” boasts the DVD cover. That’s a red flag right there that this one’s gonna be a doozy. Remember back in the mid 2000s when every animated film in existence claimed to have some connection to Shrek or The Lion King, in a desperate attempt to convince people that the film in question wasn’t awful? I have to admit that forces is a new one. That could mean anything. Forces could be the tea boy from X-Men working as a caterer for Elektra. I could claim that the forces placed upon my fingers to type this were involved in the creation of Citizen Kane if I wanted to! I have no way of proving such a vague and ultimately useless statement, so let’s just get this over with.

You may remember that Elektra got shanked by Bullseye about an hour into Daredevil. Normally, this would put a bit of a dampener on any potential spin-offs, but luckily for us, Elektra has since been revived by a group of martial artists who can see into the future. Unfortunately, their leader Stick kicks Elektra out because she’s a girl and has cooties, so she has gone back to working as an assassin, who puts too much effort into training and OCD levels of cleaning and not enough into coming up with clever one-liners (When a bad guy asks her how she knows death isn’t so bad, she replies “I died once.” Why not “I’m speaking from experience”? That would have sounded cooler.) Elektra moves house, and Abby, the bratty teenager living next door, introduces herself by breaking into Elektra’s house. Abby narrowly avoids being killed, then goes off to do teenager things like smoke at bus shelters and film herself twerking for Youtube. Her father Mark apologises profusely to Elektra and explains that Abby’s mum died recently. Elektra sympathises because her mum’s dead too. Her dad died onscreen in Daredevil, but who gives a shit about that, right?

Stick’s clan of white ninjas are in a centuries long war with The Hand, an evil clan of black ninjas led by Master Roshi. 
He didn't take it well when Goku surpassed him.
Roshi recognises his limitations in battling Elektra, namely that he can’t look at her without getting a nosebleed, so he delegates to his son Kirigi. Kirigi hires Elektra in secret to assassinate Mark and Abby, but she refuses, having gotten to know them after Abby played matchmaker and invited her to dinner. After the failure of Plan A, Kirigi goes for Plan B, the Quirky Miniboss Squad. This incarnation consists of the nigh-invulnerable Stone (the big tough one), the poisonous Typhoid Mary (the pretty one) and Tattoo, who can bring his tattoos to life and attack people with them (the one with the weird powers). Kirigi has some vaguely defined wind powers and super speed, and there’s also Kinkou. I had to look up his power, but he has perfect balance apparently.
 Kinkou drew the short straw when they were assigning powers.

After an initial wave of ninjas are easily despatched, Elektra drops a tree on Stone’s head, while Kinkou gets fed to Abby to show why the Hand are after her. She is the Treasure, who will end the war between the Hand and Stick’s team, with the side she joins becoming the winner, like a large scale game of Capture the Flag. The Hand are after her for this purpose, but they’ll settle for killing her so that Stick’s guys can’t win. Kirigi challenges Elektra to a one on one battle: whoever wins, their team wins forever. Elektra agrees, but Kirigi cheats and sends in more ninjas. Elektra dispatches them with a gas cooker and a candle, prompting Kirigi to enter the fray himself, though not before quoting Jurassic Park.
 
They fight, and Kirigi is winning, but Abby arrives to help Elektra. Kirigi then calls in his backup, with Tattoo using his snake tattoos to drive Abby into a hedge maze. Elektra kills Tattoo by taking advantage of his weakness- he’s defenceless while controlling his tattoos. Tattoo was merely a distraction though- he served his purpose in separating Elektra and Abby, allowing Typhoid Mary to poison Abby without Elektra there to do anything about it. Kirigi comes back and poses less of a threat in the rematch, super speeding onto Elektra’s outstretched sai. She then throws it away, where it goes through several thick hedges and impales Typhoid Mary. Cheaters have gotten banned from Call of Duty for less! With the bad guys defeated, Elektra finds Abby in the maze and uses Stick’s technique to revive her, before going her own way a better person. Huzzah!

Despite being a spinoff of Daredevil, Elektra is a radical departure from that film. So radical in fact, that it’s hard to believe that they’re both set in the same universe. This could be why the connections to Daredevil are so tenuous, as none of the previous characters are mentioned. On one hand, Daredevil isn’t required watching for this film. On the other hand, anything that involves Elektra left over from Daredevil is forgotten about. Given how she makes such a big deal about her mother’s death when she was a child, she’s awfully chill about Bullseye killing her and her father. The film could have detailed her quest to get even with him, or maybe go after Kingpin for hiring Bullseye. Even if they didn’t want to dedicate a whole film to Bullseye again, they could have had Elektra fight and kill him in the opening scene to show how far she’s come as an assassin. As it is, we’re left to assume that he eventually left hospital and is relaxing on a beach somewhere, sipping cocktails and killing people with the little umbrellas. (Note to Hollywood: I would totally watch Bullseye Goes Hawaiian.)

Having considered that, maybe bringing Bullseye back for one scene wouldn’t have been such a good idea after all. He was the most entertaining character in Daredevil, and even in one scene, he would overshadow the villains here. They’re a one-dimensional bunch to be sure. Master Roshi contributes nothing, and his presence only raises questions over the war’s end. Kirigi did the deal with Elektra without his father’s involvement, so why should Roshi abide by the word of his incompetent and now dead son when he still has ninjas and money to hire a new Quirky Miniboss Squad? Kirigi is a stock martial arts movie villain with nothing to make him stand out from the crowd, and the rest are wasted. Kinkou aside, they’re too powerful for Elektra to beat in a fair fight, so they get knocked out in cheap and unsatisfying ways. Typhoid Mary is particularly troublesome in this regard, as she doesn’t even get a fight scene. Speaking of Typhoid Mary, she opens up another plot hole. She says to Abby before poisoning her that she was the previous Treasure. The film establishes that the team the Treasure joins wins the war. If Typhoid Mary was the Treasure, and she joined the Hand, why didn’t they win forever? That’s a pretty serious oversight if you ask me. Tattoo gets the best showing, since his power is both the coolest and most useful, with his tattoos being used to watch the movements of the good guys several times prior to the climax.

Elektra was a weak point in Daredevil, with the relationship between her and Daredevil taking up a disproportionate amount of screen time that could have been used for better things (and the Director’s Cut did, to be fair.) Unfortunately, this film proves that the character as portrayed in this continuity just isn’t interesting enough to carry her own film. She doesn’t have much of a personality, aside from developing OCD since Daredevil, and the angsty dream sequences, which have Satan in them for some reason, are on loan from Hulk. As for Abby, when you want to make a character sympathetic, introducing them by having them break into the protagonist’s house is not the way to go, unless they’ve got a damn good reason. Abby does not, and therefore ends up fighting a losing battle.

The action scenes seem to be a more martials arts take on Blade. It follows the No Bodies Left Behind rule, with defeated baddies vanishing in a puff of green smoke. It doesn’t work as well here because there’s no real reason for enemies to disappear. There is in Blade because the enemies are vampires, but here it ends up taking away any kind of impact from the fights. The named villains being taken out so cheaply doesn’t help in this regard. The fights are unfortunately lacking in the style of Blade or the grace and elegance of the best martial arts films. A fight between Elektra and Kirigi in a room full of white clothes was humorously described by film critic Roger Ebert thusly: "We're expecting maybe an elegant Zhang Yimou sequence, and it's more like they're fighting with the laundry."

Elektra was a box office disappointment upon release. Following hot on the heels of the disastrous Catwoman, this one-two punch killed the superheroine genre for the foreseeable future. The Marvel Cinematic Universe has come under fire recently from people demanding films headlined by female heroes. If this film hadn’t done so badly at the box office (being better couldn’t have hurt either, while I’m on the subject,) they wouldn’t be asking, because we’d probably still have superheroine movies. Following this logic, Elektra is to blame for the existence of social justice warriors on Tumblr. Thanks a lot, Elektra.

Now was the best chance I'd get to use this, so I am taking advantage of it!

Next Time: Marvel’s First Family are sworn in.

Bonus: There was originally going to be a bit more crossover with Daredevil. The man himself would have had a cameo in one of the dream sequences, with Ben Affleck reprising the role before he started hating it.

Tuesday, 5 August 2014

Guardians of the Galaxy Spoiler-Free Review



Guardians of the Galaxy

Guardians of the Galaxy, the newest entry of the Marvel Cinematic Universe, has just been released in cinemas and has proven to be a critical and commercial hit. As the first Marvel film to be released since this blog began, I thought I should break from the established pattern and take a quick look at this film. However, I appreciate that this is a brand new film, and some readers may not have had the chance to see it yet. With that in mind, this will be a quick and spoiler-free review.


I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.

I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.

I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.

I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot. I am Groot. I am Groot. I am Groot. I am Groot. I am Groot.
I am Groot? I am Groot! I… am…. GROOT!

I hope you appreciate my compassion in protecting you from spoilers. As a parting gift, here is a fanfiction detailing an encounter between Groot and Hodor from Game of Thrones. I should warn that due to scenes of a sexual nature, it is NOT SAFE FOR WORK. I read it and had to stop half way through, though that was because I laughed so hard that I couldn’t see anything through my tears.

More importantly, there will be a real Guardians of the Galaxy review later on, though it probably won’t be for a while.

Wednesday, 30 July 2014

The Top 10 So Far



The Top 10 So Far

Having now covered ten films, I decided that this would be a good time rank the films in order, with a little quote from the review to summarise. Think of this as a quick recap.

10. Blade Trinity
“Blade Trinity is a metaphorical wooden stake through the heart of what used to be an entertaining little series.”
Yay or Nay? Nay!

9. Hulk
“At times, it almost feels like Hulk is ashamed to be based on a comic about a big green rage monster.”
Yay or Nay? Nay!

8. Daredevil
“Ultimately, Daredevil is a disappointing film that is made more watchable whenever the focus of a particular scene is Kingpin or Bullseye.”
Yay or Nay? Nay, unless you can get hold of the Director’s Cut. In that case, yay.

7. The Punisher
“This film does a better job of sticking to the darker tone than Daredevil did, due to the toning down of the sillier elements, and reining in suspension of disbelief.”
Yay or Nay? Nay if you dislike action films, otherwise yay.

6. Spider-Man
“The film doesn’t hold up quite as well as it used to, because the story beats have become so familiar from so many other films taking notes. That doesn’t mean the film is bad though. It’s still worth watching.”
Yay or Nay? Yay!

5. Blade
“Blade is a highly stylish, though occasionally dated, action film that doesn’t let a lack of substance get in the way of being a fun time to watch.”
Yay or Nay? Yay!

4. X-Men
“While there are no shortage of cool effects and fight scenes, the secret to X Men’s success is the cast of characters. They’re easy to like, even the villains, and they show us that there is more to them than just their powers.”
Yay or Nay? Yay!

3. Blade II
“Blade II is better than the original. It’s faster paced in both action and storyline, the fight scenes are more exciting to watch and the villains pose more of a threat this time. This one is recommended for those with a strong stomach.”
Yay or Nay? Yay!

2. X-Men 2
“X-Men 2 manages to improve on the first film by exploring issues of tolerance and peace in greater depth, as well as improving on the already good action scenes from the first film.”
Yay or Nay? Yay!

Number 1. Spider-Man 2
“Spider-Man 2 is like Spider-Man 1, but bigger and better. The stakes are higher, the conflict is more personal for both Peter Parker and Spider-Man, and the villain is stronger. This improves on the original in every way.”
Yay or Nay? Yay!

I will be doing another list like this after 20 films. Will Spider-Man 2 still be on top then? Where will the newcomers fit on the list? We’ll find out when the time comes.